$47 in advance / $55 day of concert
No ticket fees!
2008 was a landmark year for Joan Baez marking 50 years since she began her legendary residency at Boston's famed Club 47. She remains a musical force of nature whose influence is incalculable - marching on the front line of the civil rights movement with Martin Luther King, inspiring Vaclav Havel in his fight for a Czech Republic, singing on the first Amnesty International tour and just this year, standing alongside Nelson Mandela when the world celebrated his 90th birthday in London's Hyde Park. She brought the Free Speech Movement into the spotlight, took to the fields with Cesar Chavez, organized resistance to the war in Southeast Asia, then forty years later saluted the Dixie Chicks for their courage to protest war.
Her earliest recordings fed a host of traditional ballads into the rock vernacular before she unselfconsciously introduced Bob Dylan to the world in 1963 and focused awareness on songwriters ranging from Woody Guthrie, Dylan, Phil Ochs, Richard Farina, and Tim Hardin, to Kris Kristofferson and Mickey Newbury, Dar Williams, Richard Shindell, Steve Earle and many more.
In the first comprehensive documentary to chronicle the private life and public career of Joan Baez, her CD/DVD How Sweet The Sound examines her history as a recording artist and performer as well as her remarkable journey as the conscience of a generation. How Sweet The Sound features interviews with David Crosby, Bob Dylan, the Reverend Jesse Jackson, Roger McGuinn and others, as well as a candid conversation between Joan and ex-husband David Harris. The film is rich is historic archival material including footage of Baez' controversial visit to North Vietnam, Martin Luther King Jr. outside a California prison, where he visited Joan to offer his support after she was jailed for protesting the draft during the Vietnam War, and never-before-seen film of Joan as a teenager performing at Club 47 in Cambridge, where her career was launched in 1958.
In the summer of 1958, Joan Chandos Baez, a 17-year old high school graduate (by the skin of her teeth) moved with her family - her parents Albert and Joan, older sister Pauline and younger sister Mimi - from Palo Alto to Boston. They drove cross-country with the Kingston Trio's "Tom Dooley" all over the radio, a guilty pleasure of Joan's. That fall she entered Boston University School Of Drama where she was surrounded by a musical group of friends who shared a passion for folk music.
A stunning soprano, Joan's natural vibrato lent a taut, nervous tension to everything she sang. Yet even as an 18-year old, introduced onstage at the first Newport Folk Festival in 1959, her repertoire reflected a different sensibility from her peers. In the traditional songs she mastered, there was an acknowledgment of the human condition.
She recorded her first solo LP for Vanguard Records in the summer of 1960, the beginning of a prolific 14-album, 12-year association with the label. Her earliest records, with their mix of traditional ballads, blues, lullabies, Carter Family, Weavers and Woody Guthrie songs, cowboy tunes, ethnic folk staples of American and non-American vintage, and much more - won strong followings in the U.S. and abroad. Among the songs she introduced on her earliest albums that would find their ways into the repertoire of 60's rock stalwarts were "House Of the Rising Sun" (the Animals), "John Riley" (the Byrds), "Babe, I'm Gonna Leave You" (Led Zeppelin), "What Have They Done To the Rain" (the Searchers), "Jackaroe" (Grateful Dead), and "Long Black Veil" (the Band), to name a few. "Geordie," "House Carpenter" and "Matty Groves" inspired a multitude of British acts who trace their origins to Fairport Convention, Pentangle, and Steeleye Span.
In 1963, Joan began touring with Bob Dylan and recording his songs, a bond that came to symbolize the folk music movement for the next two years. At the same time, Joan began her lifelong role of introducing songs from a host of contemporary singer-songwriters starting with Phil Ochs, Richard Farina, Leonard Cohen, Tim Hardin, Paul Simon, and others. Her repertoire grew to include songs by Jacques Brel, Lennon-McCartney, Johnny Cash and his Nashville peers, and South American composers Nascimento, Bonfa, Villa-Lobos, and others.
At a time in our country's history when it was neither safe nor fashionable, Joan put herself on the line countless times, and her life's work was mirrored in her music. She sang about freedom and Civil Rights everywhere, from the backs of flatbed trucks in Mississippi to the steps of the Lincoln Memorial at Rev. Dr. Martin Luther King's March on Washington in 1963. In 1964, she withheld 60% of her income tax from the IRS to protest military spending and participated in the birth of the Free Speech movement at UC Berkeley. A year later she co-founded the Institute For The Study Of Nonviolence near her home in Carmel Valley. In 1966, Joan Baez stood in the fields alongside Cesar Chavez and migrant farm workers striking for fair wages and opposed capital punishment at San Quentin during a Christmas vigil.
The following year she turned her attention to the draft resistance movement. In 1968, she recorded an album of country standards for her then-husband David Harris. He was later taken into custody by Federal marshals in July 1969 and imprisoned for 20 months for refusing induction and organizing draft resistance against the Vietnam war. As the war escalated, Joan traveled to Hanoi with the U.S.-based Liaison Committee and helped establish Amnesty International on the West Coast.
In the wake of the Beatles, the definition of folk music - a singer with an acoustic guitar - broadened and liberated many artists. Rather than following the pack into amplified folk-rock, Joan recorded three remarkable LPs with classical instrumentation. Later, as the 60's turned into the 70's, she began recording in Nashville. The "A-Team" of Nashville's session musicians backed Joan on her last four LPs for Vanguard Records (including her biggest career single, a cover of the Band's "The Night They Drove Old Dixie Down" in 1971) and her first two releases on A&M.
Within the context of those albums and the approaching end of hostilities in Southeast Asia, Joan turned to the suffering of those living in Chile under the rule of Augusto Pinochet. To those people she dedicated her first album sung entirely in Spanish, a record that inspired Linda Ronstadt, later in the 80's, to begin recording the Spanish songs of her heritage. One of the songs Joan sang on that album, "No Nos Moveran" (We Shall Not Be Moved) had been banned from public singing in Spain for more than 40 years under Generalissimo Franco's rule and was excised from copies of the LP sold there. Joan became the first major artist to sing the song publicly when she performed it on a controversial television appearance in Madrid in 1977, three years after the dictator's death.
In 1975, Joan's self-penned "Diamonds & Rust" became the title song of an LP with songs by Jackson Browne, Janis Ian, John Prine, Stevie Wonder & Syreeta, Dickey Betts of the Allman Brothers Band - and Bob Dylan. His Rolling Thunder Revues of late 75 and 76 (and resulting movie Renaldo & Clara, released in 1978) co-starred Joan Baez.
In 1978, she traveled to Northern Ireland and marched with the Irish Peace People, calling for an end to violence. She appeared at rallies on behalf of the nuclear freeze movement and performed at benefit concerts to defeat California's Proposition 6 (Briggs Initiative), legislation that would have banned openly gay people from teaching in public schools. Joan received the American Civil Liberties Union's Earl Warren Award for her commitment to human and civil rights issues and founded Humanitas International Human Rights Committee, which she headed for 13 years.
In 1983, she performed on the Grammy awards telecast for the first time (singing Bob Dylan's "Blowin' In the Wind"). In the summer of 1985, after opening the U.S. segment of the worldwide Live Aid telecast, she later appeared at the revived Newport Folk Festival, the first gathering there since 1969. In 1986, Joan joined Peter Gabriel, Sting and others on Amnesty International's Conspiracy of Hope tour; her subsequent album was influenced by the tour, as it acknowledged artists and groups whose lives in turn were influenced by her, with songs from Gabriel, U2, Dire Straits, Johnny Clegg, and others. Later in 1986, however, she was chosen to perform The People's Summit concert in Iceland at the time of the historic meeting between U.S. President Ronald Reagan and Soviet General Secretary Mikhail Gorbachev. Joan's 1989 concert in Czechoslovakia was attended by many of that country's dissidents including President Vaclav Havel who cited her as a great influence in the so-called Velvet Revolution.
After attending an early Indigo Girls concert in 1990 (the year after their major label album debut), Joan teamed with the duo and Mary Chapin Carpenter (as Four Voices) for a series of benefit performances. The experience reinforced Joan's belief in the new generation of songwriters' ability to speak to her. When her album, Play Me Backwards, was released in 1992, it featured songs by Carpenter, John Hiatt, John Stewart, and others.
In 1993, Joan became the first major artist to perform in Sarajevo since the outbreak of the civil war as she traveled to war-torn Bosnia-Herzegovina at the invitation of Refugees International. The next year, she sang in honor of Pete Seeger at the Kennedy Center Honors Gala in Washington, D.C. Also in 1994, Joan and Janis Ian sang for the National Gay and Lesbian Task Force's Fight the Right fundraising event in San Francisco.
In August 2001, Vanguard Records began a six-year campaign to reissue every original LP she recorded while under contract to the label from 1960 to 1972. In 2003, spurred by Vanguard's lead, Universal Music Enterprises gathered Joan's six complete A&M albums released from 1972 to 1976 into a mini-boxed set of four CDs. The release of a new album, Dark Chords On a Big Guitar, in 2003 was supported with a 22-city U.S. tour.
On the night of February 11, 2007, at the 49th annual Grammy Awards telecast viewed by more than a billion people worldwide, it was announced that Joan Baez had received the highly prestigious Lifetime Achievement Award, the greatest honor that the Recording Academy can bestow. In turn, she introduced the live performance of "Not Ready To Make Nice" by dark horse nominees the Dixie Chicks. It was an ironic moment, as Joan's "lifetime" of activism resonated in sync with the trio. They had been blacklisted by country radio and the Academy Of Country Music (ACM) when they criticized the president and the impending war in Iraq back in March 2003.
On Saturday, June 28, 2008, Joan was seen by countless TV viewers worldwide at the 46664 event in London's Hyde Park, celebrating Nelson Mandela's 90th birthday. After appearing with Johnny Clegg and the Soweto Gospel Choir singing "Asimbonanga," Joan later stood center stage behind Mandela when he addressed the assembled crowd of 46,664 people. The event coincided with the annual Glastonbury Music Festival that same weekend, where Joan was also performing.
In 2008, Joan released Day After Tomorrow and received the Spirit of Americana Free Speech Award at the Americana Music Association's 7th annual awards show in Nashville. The honor "recognizes and celebrates artists who have ignited discussion and challenged the status quo through their music and actions." Past recipients include Johnny Cash, Kris Kristofferson, Judy Collins, Mavis Staples and Steve Earle, who presents the award to Joan.
"All of us are survivors," Joan Baez wrote, "but how many of us transcend survival?" 50 years on, she continues to show renewed vitality and passion in her concerts and records, and is more comfortable than ever inside her own skin. In this troubled world, to paraphrase "Wings," she will always continue to seek "a place where they can hear me when I sing." - Arthur Levy
Find more info at: www.joanbaez.com Lucy Wainright Roche opens show!Singer/songwriter Lucy Wainwright Roche, daughter of Loudon Wainwright III and Suzzy Roche (the Roches) and half-sister of Rufus and Martha Wainwright, was born and raised in New York City.
Wainwright Roche spent her formative years traveling with and amongst her large musical family. After high school, she attended Oberlin College in Ohio, earned a Master's degree in education at Bank Street College of Education in Manhattan, and eventually began teaching second and third grade. In 2005 and 2006, she joined brother Rufus on tour to sing backup, and by 2007 had ditched the classroom for good and released an eight song, debut CD. Tours followed with the likes of Dar Williams, Neko Case, and Amos Lee, and critics began mentioning her in the same breath as Joni Mitchell and Patty Griffin. Wainwright Roche's first, full-length recording, Lucy, arrived in 2010.